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Re: Creative Fabrica - AI Font Generator
Yury, are they vector drawings? Would you mind showing what “a slightly playful geometric sans-serif with a subtle contrast, semi-closed apertures, thin connections, old-style varying letter widths a…1 -
Re: lcaron and dcaron
In my view a good practice is: - lcaron/dcaron’s advance width should ignore the mark; - try designing the mark in a way that avoids collapsing with lowercase letters (except the ascending ones); - k…1 -
Re: Reasonableness of idea 'L apostrophe → Lcaron' ligature
@"Grzegorz Luk (gluk)", I think your solution is decent. For the record, it’s not always simplified, but more often than not. Spacing and size is another difference, apart from the shape. H…2 -
Re: Did the printing press actually create more jobs for scribes - > AI today
Type design is probably in the safest place, compared to some other creative jobs: 1. There’s not enough data to process 2. It’s too imprecise 3. It can only do average With some massive effort one …3 -
Re: Thickness preference for crossbars of high contrast typeface
Thick crossbar is the artifact of the broad nib pen held at an angle, typical for ‘old-style’ or ‘humanist’ styles with a diagonal contrast. Not only it’s thick, but often also slanted, and can form …1
